So... I present to you, Devorah Sperber:
"... a New York-based artist whose sculptures, composed of thousands of ordinary objects, negotiate a terrain between low and high tech. Her labor-intensive works explore repetition and the effects of digital technology on perception, scale, and subjective reality."
Patricia Phillips, Executive Editor, Art Journal
These are upside-down, low resolution images constructed from coloured cotton reels (good thing she has "partial funding" by Coats & Clark). When viewed through an optical viewing sphere, a recognisable image of the original artwork is revealed. Clev. Ver.
Now, call me an art heretic, but usually the Mona Lisa does little for me. Until now. Do you think that's perhaps because she's blurry???
Then there are her "chenille stem works"- that translates 'pipe cleaners' for the simple souls out there. However, now that I think about it, what a stupid name. Whoever actually cleaned a pipe with a pipe cleaner?
And look at this amazingly complicated example below. Sperber has produced an anamorphic design of an Hans Holbein painting (all from pipe cleaners, remember), then used a cylindrical mirror to reflect the perfect image.

Now just to side-track a little bit... The original Holbien painting is titled 'The Ambassadors', a well known example of the use of anamorphosis in art. It was painted in 1533 and is housed in the National Gallery, London. The distorted shape lying diagonally across the bottom of the composition - when viewed from an acute angle - is in actual fact, the image of a skull. I for one, am completely taken with this technique. However, what is most astounding to me is that this technique dates back to the 15th century, yet that skull looks to me like it has been super-imposed using a computer. We're really not so clever and modern after all!


And therein lies today's art lesson.
For more of Devorah Sperber's art, check out her website here.













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